Ayesha Jhulka recalls working with Aamir Khan in 'Jo Jeeta Wohi Sikander': "His impact on Indian cinema has been immense'

Aamir Khan turned 60 today (March 14), and his 'Jo Jeeta Wohi Sikander' co-star Ayesha Jhulka recently reminisced about their time on set during a recent interview. She shared how Aamir’s professionalism and work ethic influenced her, highlighting his commitment to his craft.
Ayesha described working with him as a great learning experience. She admired how Aamir and Mansoor Khan seamlessly switched into professional mode, engaging in in-depth discussions that showcased their dedication and expertise. In an interview with Indian Express, she called 'Jo Jeeta Wohi Sikander' the film she approached with the most seriousness but admitted to having a lot of fun with Aamir after work. She found the ability to shift between work and fun on set truly remarkable.
She further elaborated on Aamir’s ability to elevate not only his own performance but also those of his co-actors. She highlighted his active participation on set, where he not only focused on his own role but also contributed to enhancing others' scenes. His collaborative approach, frequent discussions with director Mansoor Khan, and willingness to offer creative input made a significant impact on the filmmaking process.

Ayesha spoke highly of his contribution to cinema. “His impact on Indian cinema has been immense; it lies in the substance and quality of his films. Just look at 3 Idiots, PK, Sarfarosh, and so many others—each one is diverse,” she shared.

She further emphasised the 'PK' actor’s ability to fully immerse himself in his roles, bringing an exceptional level of realism to his characters. While many actors strive for authenticity, she noted that Aamir’s dedication and meticulous approach set him apart. From 'Jo Jeeta Wohi Sikander' to 'Andaz Apna Apna', 'Sarfarosh', and 'Dangal', he has consistently transformed himself to suit each role. She admired his commitment to character-building and credited him with bringing a new level of realism to Indian cinema, making audiences see the character rather than the actor himself.